Description 1) According to Aronson, what is the conventional structure for films (pp. 45-46), and ...

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Description 1) According to Aronson, what is the conventional structure for films (pp. 45-46), and does one need to adhere to it? 2) What are two pieces of advice that stood out to you in Aronson's article, and how can you incorporate those in your final project? 3) Murray discusses drawing the audience into the story and the abilities to engage on different platforms (also known as transmedia storytelling). While I'm not expecting you to create more than project on multiple platforms, answer: How do you plan on drawing your audience into your story? How does transmedia storytelling (telling bits of the same story simultaneously on multiple platforms like movies, games, websites, etc.) disrupt the more linear storytelling that Aronson talked about? 4) Bailin's piece previews the "Where I'm From" option for project #3, but it also talks about a more universal topic for all unit #3 options: adding moving images to still images and adding music to voice. Also note in her example, Bailin demonstrates how to provide more abstract images rather than direct photos of where she's from. This is a good practice to emulate. Building off her question in the video, What did you hear, see, and feel differently when Bailin added images and music to her project? How can you you try (or try not to) recreate those sounds, sights, and feelings in your own project? Although some literal images are fine, what other abstract images could you plan to use? 4) What are 5 common plots Booker found in stories? And do you agree with the assessment? Is there a particular plot line towards which you are drawn? https://d2l.arizona.edu/d2l/le/content/1403811/vie...